OUR STORY
Space On Space was launched in 2020 in the midst of the COVID-19 pandemic, protests for Black liberation, and the continued existential threat of the global climate crisis. In the isolation of the Stay-at-Home order, there was a deep desire to have conversations around challenging topics that were affecting the world. Space On Space has become a platform that aids people in healing and reflection through the practice of slow publishing and reading. We make magazines and produce content that encourages the reader to slow down and process life as it is happening.
OUR PROCESS
We take pride in creating a quality print publication that deserves a special place on your bookshelf – and doesn’t destroy the planet. Read on to find out more about our production method, the specs of the magazine, and what we do to lower our environmental footprint.
OUR LOCATION
Space On Space has a small team that operates remotely. Emily works from Los Angeles and Dylan (Art Director) works from Singapore. We publish our mag from Emily’s studio in Los Angeles and the production of our magazine happens a few minutes away in Pasadena, CA.
OUR PRINTER
With a deep passion for their craft and more than 100 years of experience, our printer Typecraft, is well known for producing high-quality books and magazines. From initial proofing to the final delivery of the magazine, we work closely with Typecraft to produce every issue. At the end of the production process, each copy is individually wrapped and then sent out to our studio in Highland Park using USPS or UPS.
Magazine Specs
— Format is 6.5 × 10 inches, ~140 pages
— Frequency Published is approximately 2 times per year
— Print run is 250 copies
OUR TEAM
She is a writer, artist, and entrepreneur based in Los Angeles and the founder of Space On Space. She has dedicated her practice to cultivating frameworks of healing and collaboration through the use of the body, material objects, and space. As an advocate for artists, designers, and small businesses, she provides public relations and business development services that connect businesses to media outlets who will tell authentic stories and expand brand awareness. With a social entrepreneurship heartbeat, Emily believes in the power of creativity, restorative design and innovation to uplift our world and bring lasting change. She has a Bachelor of Fine Arts in Sculpture and a Master of Science in Innovation Management and Entrepreneurship from Temple University in Philadelphia, PA.
She is the Founder and Designer of YEYE Design Studio, an independent graphic design studio based in Singapore, operating globally. Within the first year of launching the Studio, she has partnered with clients of great variety: MixoloShe (US), Space On Space Magazine (US), Singapore Management University (Singapore), Yellowpop (US), Creative Maine (US), Nonya Global (US), and Gravitas Energy Resources (Singapore).
Prior to launching YEYE Design, Dylan has worked in studios such as Ideas On Purpose (NYC), Please Respect Our Neighbors (NYC), and Do Not Design (Singapore). Dylan completed her BFA in Graphic Design from the University of the Arts (UArts), Philadelphia in 2019.
OUR TEAM
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Emily Logan is an artist based in Los Angeles and the Founder of Space On Space. She has dedicated her practice to cultivating frameworks of healing and collaboration through the use of the body, material objects and space. She has a BFA in Sculpture and an MS in Innovation Management and Entrepreneurship from Temple University in Philadelphia, PA. Currently, Logan works full time at ArtCenter College of Design.
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Dylan Chan is the Founder and Designer of YEYE Design Studio, an independent graphic design studio based in Singapore, operating globally. Within the first year of launching the Studio, she has partnered with clients of great variety: MixoloShe (US), Space On Space Magazine (US), Singapore Management University (Singapore), Yellowpop (US), Creative Maine (US), Nonya Global (US), and Gravitas Energy Resources (Singapore).
Prior to launching YEYE Design, Dylan has worked in studios such as Ideas On Purpose (NYC), Please Respect Our Neighbors (NYC), and Do Not Design (Singapore). Dylan completed her BFA in Graphic Design from the University of the Arts (UArts), Philadelphia in 2019.
THE HIGHER COUNCIL
The Higher Council is an advisory board that meets once a quarter to give editorial and strategic direction on the magazine and content produced.
She is an investor, writer, designer, and strategist who finds purpose in helping people and organizations create regenerative impact. She is the founder of a regenerative systems practice that guides compassionate leaders in the art of sustainable future making. Her virtual incubator program, Fly Parallel Studiom coaches to creation using regenerative practices. May is also an Associate Director at Turner Impact Capital, a social impact investing firm committed to building socially enriching infrastructure in communities across the U.S. In this role, she is responsible for the sourcing, underwriting, analyzing, negotiating, and executing investment opportunities and the management of fund finances. May enjoys being in nature, exploring cities with her husband, Kevin, learning new skills, and engaging in conversations about healing, economics, spirituality, and design.
They are a multidisciplinary artist, collaborator, and builder of organizational infrastructure. They studied Theater and Anthropology at Temple University in Philadelphia. While in college, found community through theatre, LGBTQIA+ studies and activities, political organizing, and social/cultural learning while studying abroad in India. Post-college, Brooke has a deeper focus on confronting systems of oppression in the U.S., particularly as it pertains to race, gender, and class. Brooke is in gratitude to Power Street Theater Company, the entrepreneurial group, Junto, JANE.hr, and now the San Francisco Foundation, for the opportunities to grow as an artist, project manager, and collaborator for social change. Brooke would not be here without the mentorship and leadership of the womxn of color in their life, particularly through Power Street.
She is a Ph.D candidate in History at the University of Southern California. Her project, called “Entangled Histories of Land and Labor on the Yakama Reservation in the 20th Century,“ centers on the braided histories of immigrants and Native Americans on a radicalized agricultural landscape. Her work is guided by the question: How do people make place and create rhythms of belonging in fragile spaces? The aesthetics of her work are guided by elements of place, memory, embodied practices, and relationally. Along with her scholarly work, Yesenia and the Hunter family explore questions of belonging through what they call “Hunter Gatherings,” events that invite others to participate in dialogue and making. Hunter’s art and scholarship are fueled by her role as a mother and wife, and deeply influences by the belief that belonging is more than a basic human nee, it also operates as a motivation and expression and can link us to living big full lives.
THE HIGHER COUNCIL
The Higher Council is an advisory board that meets twice a quarter to give direction on the magazine and content produced.
She is an investor, writer, designer, and strategist who finds purpose in helping people and organizations create regenerative impact. She is the founder of a regenerative systems practice that guides compassionate leaders in the art of sustainable future making. Her virtual incubator program, Fly Parallel Studiom coaches to creation using regenerative practices. May is also an Associate Director at Turner Impact Capital, a social impact investing firm committed to building socially enriching infrastructure in communities across the U.S. In this role, she is responsible for the sourcing, underwriting, analyzing, negotiating, and executing investment opportunities and the management of fund finances. May enjoys being in nature, exploring cities with her husband, Kevin, learning new skills, and engaging in conversations about healing, economics, spirituality, and design.
They are a multidisciplinary artist, collaborator, and builder of organizational infrastructure. They studied Theater and Anthropology at Temple University in Philadelphia. While in college, found community through theatre, LGBTQIA+ studies and activities, political organizing, and social/cultural learning while studying abroad in India. Post-college, Brooke has a deeper focus on confronting systems of oppression in the U.S., particularly as it pertains to race, gender, and class. Brooke is in gratitude to Power Street Theater Company, the entrepreneurial group, Junto, JANE.hr, and now the San Francisco Foundation, for the opportunities to grow as an artist, project manager, and collaborator for social change. Brooke would not be here without the mentorship and leadership of the womxn of color in their life, particularly through Power Street.
She is a Ph.D candidate in History at the University of Southern California. Her project, called “Entangled Histories of Land and Labor on the Yakama Reservation in the 20th Century,“ centers on the braided histories of immigrants and Native Americans on a radicalized agricultural landscape. Her work is guided by the question: How do people make place and create rhythms of belonging in fragile spaces? The aesthetics of her work are guided by elements of place, memory, embodied practices, and relationally. Along with her scholarly work, Yesenia and the Hunter family explore questions of belonging through what they call “Hunter Gatherings,” events that invite others to participate in dialogue and making. Hunter’s art and scholarship are fueled by her role as a mother and wife, and deeply influences by the belief that belonging is more than a basic human nee, it also operates as a motivation and expression and can link us to living big full lives.
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